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Sent:
April 11, 2005
TALES FROM THE SHACK
Writing this now by candlelight (and the light from my laptop) in the
"high density suburb" of Dzivaresekwa, Zimbabwe (just outside the
capital...Harare). Arrived here about 5 days ago and am settling in
nicely. We are staying with our friend and mbira teacher Medicine
Kanengoni (Makadi Medicine!!!). I was enjoying South Africa but must
admit I enjoy Zimbabwe more, or perhaps for different reasons. I
enjoy being here in DZ (slang for Dzivaresekwa) cause it is closer to
village lifestyle than the regular urban life. Smaller living
compounds, more dirt roads than paved ones, open cooking fires, sugar
cane and roasted corn for sale on the corner, people selling their
wares anywhere they can, kids running around, cars that are way past
their expiry date but still running and carrying more people than they
ever thought possible, people drinking chibuku (local homemade beer)
on roadsides, in front of their houses, and of course people blasting
their favorite music on sound systems, in this case it is usually
sangura music, the music of these townships. Very lively style built
upon interweaving guitars, loping bass lines and driving drums and
vocals that can put shivers down your spine. Actually most of the
day was spent at a local "studio"/rehearsal space just down the
street. (Warning!!!!!...from here on in this e-mail will focus on
music. But first a little history on Zimbabwe's socio-economic
system...just a little mind you).
They just had elections, same ruling party won, country's economy is
getting worse, inflation going up (3 yrs ago 1US$= $600 Zim, today $1
US = $13-14,000 Zim..on the black market anyhow) People here are
suffering, food and gas shortages, on top of that low rains this year
so bad harvest for the rural farmers, I don't know how most people
manage. Even those with jobs are finding it difficult. So what can a
musician do?? Most guys who want to play music ( especially music
using Western instruments) are in a fix cause most none of them own
any gear!!!! They have to spend what little money they do have to
rent the gear and space to rehearse and perform. That's where I was
today. A man named "Principal" (formerly "Teacher") has a 10x12
concrete shack with an asbestos roof crammed with a drumkit (a large
part of which was homemade or altered/fixed when something broke such
as a drumskin. Using a nylon sack and some rubber cement a new one is
made, or a new bass drum pedal welded together from old parts...and
drumsticks are locally cut from tree branches..who needs Vic
Firth!!??)), 5 large speakers, 2 guitars, a bass, several mics and an
old mixing console and tape deck (for demos). Walking up to the
compound we could hear the life coming from this tiny shack. Upon
entering there are 4 youths playing their hearts out, I have heard the
music on tape but live is always different, I can see how this stuff
is put together. And it is loud. After some time the "Principal"
comes in and gives small suggestions, nods, smiles and leaves and the
bumps are smoothed out. But this group's time is up, they must leave
so another group come in and polish their music. It got me thinking,
these guys can't do this everyday, otherwise they'd be broke. But
they are fantastic, guitar players especially. I guess when the clock
is ticking you make the most of your time. Anyhow, next group does
their thing, though the drummer is a little poor. They hear that I
play so now I'm on the drums!!! Now we are all smiling, including the
principal. Going home for lunch, we return with our mbiras for
jamming. 3 mbiras, the bass and the drums. 5 hours later we are
finished after mixing these old, ancient mbira songs with the
Principal on the bass and his assistant on the drums. A 10x12 shack
never felt so good!!
Next week we go to the the Medicine's ancestral village, I can't wait
to see the stars in that sky.
Until next time,
Curtis
(PS...I gave Medicine and his family a copy of a Mopaya CD and they all love it)
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